Something of a neoclassical rendition of flickering celluloid abstraction, Tachick’s Gradations I-II pushes the in-camera edit to its limit.
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2004 · ★ 7.0
2021 · ★ 6.4
2022 · ★ 7.5
2013 · ★ 6.2
2016 · ★ 6.7
1999 · ★ 7.6
2015 · ★ 6.6
1972 · ★ 6.1
1995 · ★ 6.1
2015 · ★ 6.1
2023 · ★ 8.0
2023 · ★ 6.3
1968 · ★ 6.9
2021 · ★ 5.8
2010 · ★ 6.5
2014 · ★ 6.7
2017 · ★ 7.4
2015 · ★ 6.0
2019 · ★ 8.4
2014 · ★ 6.6
