
Narcisa Hirsch
Narcisa Hirsch (née Heuser, born 1928) is an Argentine experimental filmmaker of German birth. Her work centered on themes of the body, love, sex, death, movement, and the female gaze. Despite this focus on women, she has resisted being labeled as a feminist. She began as a painter, and but her later and better known work centers on performance and film, though she has also written several books. She cites Salvador Dalí and Luis Buñuel as influences to her experimental film work, as well as the Bauhaus artists of Germany. During her time as an experimental filmmaker in Argentina, she frequented the Di Tella Institute and the Goethe Institute, a place where many of her works premiered. Recenlty, her work has been honored through several retrospectives at international film festivals, though it was relatively unknown outside of exclusive circles when it first premiered. Description above from the Wikipedia article Narcisa Hirsch, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for (14 titles)
movieHerbaria
2022 · ★ 9.0
movieEl Aleph
2005 · ★ 6.6
movieNarcisa
2014 · ★ 6.0
movieMarabunta
1967 · ★ 6.0
movieButoh
2013 · ★ 1.0
movietime/ OUT OF JOINT
2015 · ★ 0.0
movieYo veo conejos
1967 · ★ 0.0
movieReflejo Narcisa
2014 · ★ 0.0
movieApples
1966 · ★ 0.0
movieTambores en la plaza
1970 · ★ 0.0
movieMuñecos (Have a baby)
1972 · ★ 0.0
moviePradera
★ 0.0
movieInstead of Trees
2026 · ★ 0.0
movieSurely Bach Closed the Door When He Wanted to Work
1979 · ★ 0.0